![]() It's as if Sandler is Hannibal Lecter in a Jerry Lewis body. Deeds," which was a remake of a benign Frank Capra comedy. His outbursts here help to explain the curiously violent passages in his previous film, " Mr. He seems always on guard, unsure, obscurely threatened. He does not even begin to understand himself. He presents to the world a face of cheerful blandness, and then erupts in terrifying displays of frustrated violence. He tries at a family gathering to be congenial and friendly, but we can see the tension in his smiling lips and darting eyes, and suddenly he explodes, kicking out the glass patio doors. Barry has seven sisters, who are all on his case at every moment, and he desperately wishes they would stop invading his privacy, ordering him around and putting him down. In "Punch-Drunk Love," Sandler plays Barry Egan, an executive in a company with a product line of novelty toiletries. ![]() The Sandler characters are almost oppressively nice, like needy puppies, and yet they conceal a masked hostility to society, a passive-aggressive need to go against the flow, a gift for offending others while in the very process of being ingratiating. ![]() Paul Thomas Anderson says he loves Sandler's comedies-they cheer him up on lonely Saturday nights-but as the director of " Boogie Nights" and " Magnolia" he must have been able to sense something missing in them, some unexpressed need. In that sense "Punch-Drunk Love" is film criticism. The way to criticize a movie, Godard famously said, is to make another movie. ![]()
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